After eighty-some years of Academy Awards, it should be clear to almost everyone that Oscar nominations are a measure of the moment, not a marker for the ages. And you could say that the films of the moment are "The Social Network" and "Inception," both scoring 8 nominations. "Network" channels the pulse of the modern world of virtual relationships and communication breakdown and it downloads into Oscar season with dozens of wins from awards associations and critics groups, while the cerebral action thriller "Inception" piles on the technical nominations for its marriage of conceptual ingenuity and visual invention.
In terms of sheer numbers, however, the comfort of tradition triumphs over the discomfort of the contemporary: "The King's Speech," this year's feel-good triumph-over-adversity drama, dominates with twelve nominations, followed by the ten nominations from the Coen Bros.' most popular film to date, "True Grit," an old-fashioned western infused with their sly sensibility.In other words, no surprises in this year's announcements. It pretty much came down as predicted: the final prom of the absurdly overcrowded awards season with the homecoming kings and queens pretty much sorted out. But just because it followed the script doesn't mean it was the right script. Here is our scorecard on Oscar's slights and oversights: they shoulda been a contender.
In terms of pictures
Oscar opened the Best Picture list to ten nominees last year, not out of guilt for leaving out so many worthy nominees, mind you, but as a way to make sure the big audience-pleasing Hollywood movies that Middle America (in other words, the Oscar telecast audience) has actually seen would find a place in the show. This year they score with blockbusters "Toy Story 3" (both number one at the box office and one of the best reviewed films of 2010) and "Inception," Hollywood hits "The Social Network" and "True Grit" and success stories "The King's Speech" and "Black Swan."
What did they miss? I don't think anyone expected "Let Me In," the remake of the Swedish winter-dark vampire thriller "Let the Right One In," to show up this year, being both a remake and a horror film, but this perfectly-realized film surely deserves a nod as much as (if not more than) most films that made the cut. "The Town" was widely predicted to be a nominee and Peter Weir's etched-in-earth survival drama "The Way Back" was the best film of 2010 that no one saw in 2010. But the most egregious absence is Roman Polanski's "The Ghost Writer," which swept the European film awards yet is nowhere to be seen on this year's list of nominees.
The smart, gripping, subtly Hitchcockian thriller may have simply come out too early in the year, or maybe the recent extradition controversy simply churned up a belated Polanski backlash. Either way, this is the Best Film of 2010 to come out of the nominations empty-handed.
Best Picture:
Black Swan
The Fighter
Inception
The Kids Are All Right
The King's Speech
Best Actress:
Annette Bening (The Kids Are All Right)
Nicole Kidman (Rabbit Hole)
Jennifer Lawrence (Winter's Bone)
Natalie Portman (Black Swan)
Michelle Williams (Blue Valentine)
Best Actor:
Javier Bardem (Biutiful)
Jeff Bridges (True Grit)
Jesse Eisenberg (The Social Network)
Colin Firth (The King's Speech)
James Franco (127 Hours)
Best Supporting Actress:
Amy Adams (The Fighter)
Helena Bonham Carter (The King's Speech)
Melissa Leo (The Fighter)
Hailee Steinfeld (True Grit)
Jacki Weaver (Animal Kingdom)
Best Supporting Actor:
Christian Bale (The Fighter)
John Hawkes (Winter's Bone)
Jeremy Renner (The Town)
Mark Ruffalo (The Kids Are All Right)
Geoffrey Rush (The King's Speech)
Best Director:
Darren Aronofsky (Black Swan)
David O. Russell (The Fighter)
Tom Hooper (The King's Speech)
David Fincher (The Social Network)
Ethan Coen and Joel Coen (True Grit)
Best Animated Feature:
How to Train Your Dragon.
The Illusionist.
Toy Story.